Most Expensive Bass Guitar in the World – Top 8
On the off chance that you’re a bassist, you’d most logical love to claim a most expensive bass guitar. Most of the time, a decent bass guitar implies an expensive one. In any case, what on the off chance that cash is not an issue by any means? On the off chance that cash wasn’t a choice, you could buy one of these extremely expensive bass guitars.
Here’s a rundown of the 8 most expensive bass guitars in the world:
- Ritter Royal Flora Aurum
- Ritter Roya Concept
- Gibson Thunderbird (’63 – ’65)
- Alembic Series II SSB Stanley Clarke Signature (1980)
- Fodera Anthony Jackson Presentation
- Zemaitis “Heart Hole” Bass (70s)
- Fender Jazz Bass Custom Color (the early ’60s)
- Fodera Anthony Jackson Presentation II
Read on to learn more about each bass guitar and the story behind each one.
The Most Expensive Bass Guitar
The most expensive bass guitar in the world is the Ritter Royal Flora Aurum. It will set you back a cool $250,000 USD!
The Ritter Royal Flora Aurum – US$250,000
The most expensive bass guitar is the US$250,000 Ritter Regal Greenery Aurum bass guitar. It was worked by Jens Ritter, a stringed instrument creator from Germany.
Ritter’s basses are among the most lovely and unpredictable instruments. However, he finished off himself with the arrival of the Ritter Regal Vegetation. He sent off this item to remember the tenth commemoration of Ritter Basses.
This bass guitar has a body cut from an uncommon, strong piece of sewn maple wood. The nut highlights 10,000-year-old mammoth ivory, and the fingerboard has a 24-karat gold flower trim example. Also, the tuner buttons and handles are in gold. The handle likewise includes 3.3-carat jewel embellishments with little green precious stones that fill in as handle position marks.
Assuming this specific guitar sometimes falls short for your financial plan, then you might look over his other magnum opuses. He makes around 60 specially crafted Ritter guitars every year. These guitars are accessible at Wynn and Co. Gems in Las Vegas, Nevada.
Peruse on as we further discuss the other most expensive bass guitars mentioned above. These items are all between $12,000-$15,000 and higher.
Most Expensive Bass Guitars Worldwide
1. Ritter Roya Concept – US$12,000+
The Ritter Roya Idea bass guitar is not quite so exorbitant as the other top of the line Ritters. In any case, it comprises of high-grade materials. These materials incorporate a piece of blazed maple for the whole body of the guitar aside from the fingerboard. The controls of the Roya Idea are situated at the back board trim pots. Such a position protects the basic head-on look of the guitar.
It has a birch body wood and a black fingerboard. Both are accessible in 34 inches and 35 inches scales. It highlights uncommon ergonomics that make it appealing among purchasers. Additionally, it has the mark blue Ritter Swordsteel strings and highlights Ritter Slimbucker humbucking pickups.
his piece is genuinely dazzling and a gatherer’s masterpiece.
2. Gibson Thunderbird (’63 – ’65) – US$17,000+
Gibson has one of the most notorious bass guitars in the market today. Its items include an interesting plan that never disappoints purchasers. Sent off in 1963, the Gibson Thunderbird is the solution for very good quality Bumper basses. Planned via auto originator Raymond H. Dietrich, the two unique Thunderbird models are the Thunderbird II and the Thunderbird IV.
The Thunderbird is Gibson’s first long scale bass. Their more seasoned basses just have a 30.5-inch scale, while the Thunderbird has 34 inches scale. It additionally has a completely flexible bass extension.
Finish and Materials Used
Gibson Thunderbird has a mahogany body with sunburst finish. It comes in two exemplary finishes: Tobacco Burst and Coal black. The pickup and scaffold covers, including the finger rest, are all nickel-plated too. It’s the main Gibson bass that uses the purported neck-through development. This specific neck-through idea gives a low-end reaction and a piano-like maintain. It was first utilized on electric bass in 1957 by Rickenbacker.
Its material incorporates one focal piece wood, which comprises the whole length of the instrument. It likewise has wings appended to the side as a component of the body of the guitar. Today, this assembling method actually applies to very good quality guitars.
Changes in Design
In 1966, the organization changed the plan of the Thunderbird. A claim brought by Bumper contended the likeness of the Thunderbird with their Jazzmaster.
Gibson then re-planned the body style, which ultimately became known as the non-switch body style. The non-turn around Thunderbird was in the market until 1969, while the development of the first converse was ended. Since there’s currently a couple of this kind left, guitar aficionados look at this as an authority’s thing.
This bass guitar is not so expensive as the others. However, to possess one, a Thunderbird costs somewhere in the range of $15,000 and $18,000.
3. Alembic Series II SSB Stanley Clarke Signature (1980) – US$20,000+
The extraordinary bassist Stanley Clarke teamed up with Alembic for such countless years. This association prepared for presenting new instruments on the lookout. Be that as it may, the most striking one was — and still is — the 1980 adaptation of his Series II line.
Alembic Series II Line and the Stanley Clarke Signature
Alembic has been making Series II bass guitars beginning around 1972. Series II is the organization’s best in class bass, and the Stanley Clarke Mark is the most alluring bass guitar that the organization has delivered.
It is extremely simple to play because of its 30.75 inches scale length. A short scope length implies that frets are near one another. Along these lines, you can partake in a less extended situation at the lower worries.
Features
The side of the neck includes a metal nut, a rear end, and metal position markers. Besides, the logo of Alembic and the Stanley Clarke mark are in gold-plated authentic silver.
The controls incorporate two-tone channels, an expert volume, and two 2-position Q channel switches. Front and back covers supplement the arrangement of Zebrawood, while the neck-through body comprises bits of maple and purple heart.
It has a DS-5 power supply, making its bass tone outstanding. To tune tenor or piccolo style, this expensive bass is an ideal decision. It has a lot of low-end and longer maintain.
Stanley Clarke Signature Basses
The other Stanley Clarke Mark basses have standard and select renditions, however the pickups, hardware, and sizes are for the most part indistinguishable. Maple is the essential neck wood of the two variants. Be that as it may, the exclusive model has top and back body overlays.
Stanley’s Earthy colored Basses additionally include mahogany as the primary neck wood. Their customary oil finish finishes the three-piece body development. The item likewise incorporates individual volume controls and a sound system/mono result.
Retro Stanley Basses
Alembic and Stanley delivered the Retro Stanley basses, highlighting the 1973-roused layout with bended horns. The neck of the bass is a triple mix of maple, pecan, and birch, including an oil finish that reverberates with an old fashioned energy.
Assuming you have the spending plan, then this piece of craftsmanship, costing more than $20,000, could be the one for you. It’s as yet one of the most expensive guitars up to this point. You can’t turn out badly with items conceptualized by Alembic and Clarke.
4. Fodera Anthony Jackson Presentation – US$20,450
During the 1980s, amazing jazz bassist Anthony Jackson began teaming up with Fodera. He needed to claim bass guitars that would suit his particular playing needs. A long time later, they thought of the best in class Anthony Jackson Show bass.
Birth of the Anthony Jackson Presentation Bass Guitar
In 1984, they originally teamed up on a twofold cutaway, 34 inches scale bass called No. 5. After five years, Jackson let Fodera know that he needed another contrabass guitar that could offer an extreme playing experience. In this manner, the introduction of the Anthony Jackson Show bass guitar.
Jackson chose to reproduce the guitar’s ergonomics. He mentioned to eliminate the graphite and the wide range of various hardening materials that could adversely influence the tone. Likewise, he wiped out inactive hardware and a solitary pickup voiced by ear alone highlights, among others.
Features
This item includes a 36-inch scale, six strings, and 28 frets. It has a Brazilian rosewood fingerboard and a chambered birch body. Additionally, it has the mark Fodera/Duncan Double loop pickup. It’s the biggest bass reach that the organization has at any point produced.
The Anthony Jackson Show is the most difficult instrument produced by Fodera. Yet, because of its incredible tone, it’s considered as the most excellent one, as well. Jackson and the organization have constructed an awesome relationship while working consistently.
With this multitude of high-grade highlights, possessing a US$20,450 bass guitar is all worth the effort.
5. Zemaitis “Heart Hole” Bass (70s) – US$25,000+
Anthony “Tony” Zemaitis was one of the most incredible guitar creators in current luthiery. He was brought into the world in 1935 in Lithuania and started constructing guitars during the 1960s. Zemaitis was likewise notable as a maker of metal front electric instruments.
Ivan the Terrible
One of Zemaitis’ most conspicuous acoustic guitars was Ivan the Horrendous, a huge estimated 12-string acoustic guitar exclusively made for vocalist Eric Clapton. This guitar was the main heart-molded soundhole guitar that Zemaitis had made.
Zemaitis Acoustic Basses in the 70s
During the 1970s, he wandered into building acoustic basses. He then handmade specially made acoustics for performers like David Gilmour and Ron Wood.
The 1972 fretless instrument has a mahogany neck and rosewood fingerboard. The back and sides include strong mahogany, while the extension and string retainer are all hand-cut rosewood.
In 1978, Pink Floyd guitarist David Gilmour requested an acoustic bass from Zemaitis. Zemaitis conveyed a bass with a tidy top and heart-formed soundhole. The fretless coal black fingerboard had lines and a position marker all over.
Features
It is normal for Zemaitis basses to have a spiked headstock outline. Zemaitis guitars are very much perceived in view of their red wood-finish strip in the middle. In spite of the fact that their fingerboard need worries, the side spots give position reference.
The length of the bass is 48 inches, and the scale is 34 inches. The heart-molded soundhole is an esthetic person of all Zemaitis bass guitars. However, there’s no distinction among those and other instruments with various soundholes.
With a $25,000 sticker price, you can appreciate playing this uncommon, handcrafted bass guitar.
6. Fender Jazz Bass Custom Color (the early ’60s) – $28,000+
Bumper Jazz Bass is the second model of electric bass delivered by the organization. Its body shape has a counterbalanced lower session which is something similar with Puma and Jazzmaster guitars.
Features
The bass guitar has two single-curl pickups. Its neck is smaller at the nut when contrasted with the Bumper Precision Bass. It was named Select Model when delivered in 1960 however was subsequently changed to Jazz Bass to make it attractive among jazz performers.
The main Jazz Bass had two stacked handle pots with volume and tone control. At last, three control handles were added. The two handles control the volume of every pickup, while the other one controls the general tone.
The purported spring felt quiets were available on these basses from 1960 to 1962. These guitars had a splendid, very good quality sound, making them ideal for fingerstyle playing. Nonetheless, they were subsequently supplanted by froth quiets under the scaffold cover. Throughout the long term, the utilization of quiets has diminished.
Fender Custom Colors
The custom-color finishes on Fender instruments were first released in the 1950s. Customers can actually request for non-standard finishes back then.
Fender uses custom colors from the automotive industry due to the following reasons:
- Wide variety of shades to choose from
- Automotive paints are easy to apply and fast drying
- Paints are easy to get hold of
In 1960, Fender published its first color chart. It launched 14 factory-available shades plus blond. In 1963, chart revision transpired, replacing Shell Pink with Candy Apple Red.
Again in 1965, they added six metallic shades. In 1969, however, Fender began reducing its choice of colors. Early favorites were unfortunately eliminated, such as Fiesta Red and Foam Green.
Limited Edition Fender Jazz Bass
In 2010, the organization delivered the 50th-commemoration restricted release, Jazz Bass. It has a birch body with a 1960s-period enamel finish, which is their well known Treats Apple Red polish. The uncommonness of these Bumper Jazz Bass guitars in custom shadings makes them exceptional.
7. Fodera Anthony Jackson Presentation II – $35,200
The Fodera Anthony Jackson Show II bass guitar is the finished, patched up form of Show I.
This mark series was purposefully delivered regarding Fodera’s 30th commemoration. Additionally, it praises the 25th commemoration of the primary unique Show bass guitar. Considering the first Show, Fodera changed the pickups, nuts, wiring, and frets.
Modifications
The guitar has an acrylic gleam finish and embraces the alleged “Half breed” plan, changing its body from 33 creeps to 36 inches. Other adjustments likewise incorporate another 3-piece red oak neck profiles. Fodera put a slight restricting at the nut, and an augmenting at the 28th fret. Likewise, the support bar was repositioned, and the headstock break point was expanded.
The wiring determination was additionally overhauled. It was adjusted with adjusted body edges for expanded solace. In addition, they made the scaffold, bracket pole, and tuning machines all titanium.
Features
The Anthony Jackson Show II bass guitar is made with a birch body. Birch was utilized as the fundamental body wood because of its uncommon bass tone. The Honduras mahogany was additionally utilized in light of the fact that it is more grounded than tidy.
Black was picked for its fingerboard to adjust the warm strong of the bass. The headstock was improved to have a greater and more profound point. That way, there would be more support and string pressure.
This bass needs handles since it has no hardware. In any case, it is well-fitted with a Fedora/Duncan double pickup, which straightforwardly wires to a XLR jack.
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